Gang flow – Not Like Us by Kendrick Lamar has once again surged to the top of the Billboard Global 200 chart as of February 2025, marking a powerful resurgence that underscores the song’s cultural resonance and Lamar’s continued relevance. Not Like Us, which originally debuted to critical and public acclaim, has re-entered the spotlight with renewed vigor, fueled by its unflinching lyrics, infectious beat, and unapologetically bold message.
Not Like Us begins with an eerie whisper: “Psst, I see dead people.” That opening sets the tone for what becomes a lyrical assault packed with pointed commentary, personal shots, and a raw critique of the music industry. With Mustard on the beat, Lamar wastes no time unleashing his fury:
“They not like us, they not like us, they not like us…”
“Certified Lover Boy? Certified pedophiles”
“Sweet Chin Music, and I won’t pass the aux, ay”
The chorus’s haunting repetition of “They not like us” reinforces the song’s theme of authenticity versus imitation a recurring message throughout Lamar’s discography. In Not Like Us, he takes direct aim at industry giants. Challenging their credibility and exposing what he claims are exploitative behaviors. This isn’t just a diss track; it’s a manifesto.
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Since its reemergence, This Song has sparked widespread conversation on social media and within the hip-hop community. While many fans have praised Kendrick’s fearless confrontation and praised his lyrical dexterity. Others have critiqued the personal nature of the attacks, particularly against fellow artists like Drake.
Despite the controversy or perhaps because of it the song has dominated streaming platforms. With fans dissecting every line and metaphor. Lamar’s use of vivid imagery and historical references, including lines like “Once upon a time, all of us was in chains.” Adds a layer of sociopolitical commentary that elevates the track beyond mere provocation.
The power of This Song lies largely in its lyrics, which are too potent to ignore. Kendrick dives into uncomfortable territory, unmasking what he sees as hypocrisy and artificiality in mainstream rap. From biting bars like:
“He a fan, he a fan, he a fan…”
“OV-ho, say ‘OV-ho’”
“You run to Atlanta when you need a check balance”
…to moments of cultural pride and regional defense. Lamar reclaims his roots and sets himself apart from those he calls “colonizers” of the genre.
This Song is more than a viral moment. It’s a reminder of Lamar’s unmatched ability to blend artistry with accountability. As it climbs back to No.1, one thing is clear: Kendrick Lamar isn’t just making music he’s making a statement.
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